Museum Exhibits

It’s was dynamic, bold, and colorful! It’s street style, and it’s high fashion. – New York Times

An exploration of how black style has evolved in New York City and how hip-hop has turned fashion on its head. Hip hop has made black style big business, showcasing black designers and claiming a global market of consumers eager to buy the latest in Black Style Now. The exhibition features garments by pioneering as well as contemporary black designers and outfits worn by style-setters such as Beyoncé, Sean “Diddy” Combs, and LL Cool J. Jewelry, accessories, footwear, and clothing by major hip-hop mega-brands are also on view, as are photographs of fashion icons past and present.

 

Therez Fleetwood’s BABWE dress on display. Baby blue, gold, chocolate, and ivory silk dupioni with cowrie shells embellishments.

 

BLACK STYLE NOW EXHIBIT, CITY MUSEUM OF NEW YORK.

 

 

FashionArt

Fashion Designer, Therez Fleetwood and Visual Artist Kottavei are creating FashionArt with a purpose.

 

The Veil of Womanhood. FashionArt collaboration with fashion designer,Therez Fleetwood. Visual Artist V. Kottavei.

 

 

Novelist Nnedi Okorafor made her red carpet debut at the 70th Primetime Emmy Awards, ((top center, top right) where she promoted her upcoming HBO series, Who Fears Death, based on her award-winning book. Hand-painted by visual artist V. Kottevai on silk gown made by Therez Fleetwood.

 

 

Fashion Art Fusion
Art Meso Exhibit 2018 – “Truly in bloom, inspired by saturated color and personal growth. Women oftentimes gather in clusters reaching towards the nourishing sun much like sunflowers. The women themselves are the seeds planted that grow with proper tending.”

Books: SURVEY OF HISTORIC COSTUME

Therez Fleetwood has made history again! Her kente print, shawl-collared swing dresses are featured in the fashion industry textbook used by college students today! – The SURVEY OF HISTORIC COSTUME, A History of Western Dress (Editions 1 thru 5).

 

Caption: “Colorful kente cloth patterns, like this painted fabric from Senegal, were being incorporated into the highly original designs by many African American designers. These designs were created by Therez Fleetwood for PheZula in 1993.”

 

 

The SURVEY OF HISTORIC COSTUME, A History of Western Dress. 1st edition.

 

 

The SURVEY OF HISTORIC COSTUME, A History of Western Dress. 2nd edition.

 

Therez Fleetwood and Walt Disney® World

Did you know it was Therez Fleetwood who designed the kente cloth costumes for Mickey and Minnie Mouse in Disney® World Florida? These designs were created exclusively for the Miss Black Collegiate Pageant back in 1998. Her designs are now a part of Mickey and Minnie’s 150 Special Occasion outfits. It is the only time the Disney corporation allowed an outside designer to design for their icons.  Way to go, Ms. Fleetwood! #MakingHistory

 

mickey and minnie therez fleetwood 1
FINISHING TOUCHES – New York Designer Therez Fleetwood, of the Phe-Zula Collection, puts finishing touches on new costumes for Mickey and Minnie Mouse.  Fleetwood worked with Walt Disney World’s creative costuming department on the costumes for the couple’s appearance on the nationally televised Miss Collegiate African American Pageant, taped at Disney-MGM Studios Theme Park. The colorful kente costumes will be added to their wardrobe of more than 150 special occasion outfits.
Designer Therez Fleetwood at the Walt Disney World costume department in Orlando Florida in 1998.

 

All That Jazz! Celebrating The Fabric Of Our Culture

As a designer, I love it when I am able to be self-expressed with my creations. This dress was created exclusively for the finale of “LEGACY – Celebrating the Fabric of Our Culture” in Philadelphia, PA.   For all you jazz enthusiasts… this one’s for you!

 

August Wilson Center for African American Culture hosted the Multicultural Arts Initiative’s third annual celebration of diversity in the arts with “Legacy: Celebrating the Fabric of Our Culture,” a program celebrating diversity and richness of the arts and fashion.

The evening culminated in a fashion show with the models of the Utopia Modeling Agency in a program titled, “FashionAfricana.” But this wasn’t your typical fashion show with models strutting fancy duds on a runway. The fun and creative styles were showcased as part of a skit, produced by Mark Southers of Pittsburgh Playrights Theatre Company, set in a 1940’s night club. The models of the Utopia Modeling agency acted as patrons to the club as the skit unfolded to the music of the PJO.

 

 

Creating this dress was an extremely long process.  I used double-ply silk satin fabric, 1/8″ gold metallic cording, bugle beads, and seed beads.  There is also a built-in corset and crinoline underneath. Here is the design and construction process below;

THE DESIGN PROCESS:

jazz laying out sketches
SKETCHING – I sketched all the Jazz band musicians. Including singer, trumpet, saxophone, trombone, bass, piano, drums, and guitar.
jazz tracing onto fabric
LAYOUT & TRACING: I placed the sketches along the bottom of the dress and then traced the images on the fabric to create the lines for stitching.

jazz fabric and trims
MATERIALS: I used double silk satin fabric and 1/8″ metallic gold cording. Also included hand-sewn beads.
jazz sewing
SEWING: I machine stitched the 1/8″ trim (inch-by-inch) along the chalk lines and hand hand-sewn the beaded trims to create the artwork on the dress.

FINISHING TOUCHES: I hand-sewed bugle beads and small round gold beads to create a design and texture on their clothing.
ABOUT THE DETAILS: A piano key pattern was created along the hemline with the 1/8″ gold cord.